![]() The good: beautiful art style, versatile move set which develops well over the game, the story of the first half is really good, the final boss is a fun test of all the skills you have learned over the game, as it should be, a lot of the minor characters can be endearing. The good: beautiful art style, versatile move set which develops well over the Good, but not the amazing game some reviews state it is. Good, but not the amazing game some reviews state it is. Highly recommend this for any player old or young. While in 2006 they would have probably brought this game down with sub-par voic acting, the decision to use incoherent mumbles to represent character voices is the only part of this game that hasn't aged well for me. This is still a masterpiece to me but unfortunately I have one complaint, a lack of voice acting. Best part of this situation is how this game has aged, the graphics have ages surprisingly well, the crazy world of Nippon is still unbelievably entertaining with each character as unique and interesting as the next, the combat is still entertaining with you getting creative and utilizing your brush abilities in sync with hack and slash mechanics, and the music is as wonderful as ever. Much to my surprise this claim was not unfounded, and this game provided one of my most enjoyable gaming experiences on the PS2, and I find it to be kind of funny that playing it on a Nintendo system today it feels more like Zelda than the latest release (LZBOTW, not the LZLA remaster). Much to my Back in 2006 when this was first released I remember this being marketed as the PS2's Zelda, and I purchased it out of curiosity. Back in 2006 when this was first released I remember this being marketed as the PS2's Zelda, and I purchased it out of curiosity.
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